Daniel Handal Photography Born in 1970
in Tegucigalpa, Honduras.
Lives in New York City, USA.
Project Description
These photographs are part of a documentary series on the practice of “female masking,” in which individuals, predominantly men, put on women’s fetish wear and a latex mask in order to transform themselves into living dolls. Members of the masking community create multi-layered alter egos and assume fictional characters while documenting their role playing with photographs and sharing stories on community blogs.These living dolls evoke for me the age-old stories of the inanimate creature come to life – Pygmalion’s Galatea, Gepetto’s Pinocchio and the androids of science fiction – with the twist that here the creator is also the creation. The photographs are not meant to be sexual, although some find them provocative and strange. In this series, I am primarly interested in capturing what seems to be a parallel world – a theatrical, artificial reality brought to life by the camera.
Exhibitions (Excerpt)
2009, MKII, Drifted, London, UK2009, In-Sight Photography Project, 11th Annual Photography Exhibition, Brattleboro, VT
2009, The Center, As We See It, New York, NY
2009, C.C.C.P. Gallery, Rogue States, New York, NY
2009, Studio Thomas Kellner, Photographers: Network, Siegen, Germany
2008, Australian Centre for Photography, Avatar, Sydney, Australia
2008, The Center, As We See It, New York, NY
2008, Deborah Colton Gallery, Digitalia: Intimacy in the Hyperreal, Houston, TX
1996, NYU Cantor Film Center, MediaShock: Interactive Installations, New York, NY
1995, MGM Gallery, Erotic Material(s), New York, NY
1995, The Leslie-Lohman Gay Art Foundation, Addressing AIDS, New York, NY

